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Interview : Andrew Edlin On the Rise of the Market for Outsider Art

Art Brut is characterized by its raw, unpolished, and often unconventional nature.

The Origins of Art Brut

The term “Art Brut” was coined by French psychiatrist and art collector, Jean Dubuffet, in 1945. Dubuffet was fascinated by the raw, unbridled expressions of individuals who were not trained in traditional art forms. He saw these works as a reflection of the human experience, untainted by the conventions of art education or societal expectations. Dubuffet’s discovery of Art Brut was largely influenced by his work with patients at the Sainte-Anne Hospital in Paris, where he encountered a range of unconventional artworks created by patients. These artworks were often created using unconventional materials, such as paper, cardboard, and fabric, and featured raw, emotive expressions. Dubuffet’s interest in Art Brut was not limited to the works of his patients; he also sought out and collected artworks from other individuals who were not formally trained in art.

Characteristics of Art Brut

Art Brut is characterized by its raw, unpolished, and often unconventional nature. Some common characteristics of Art Brut include:

  • Unconventional materials: Art Brut often employs unconventional materials, such as paper, cardboard, and fabric, which are not typically used in traditional art forms. Emotive expressions: Art Brut is often characterized by raw, emotive expressions that reflect the artist’s inner world.

    They often reject traditional notions of art and aesthetics, instead embracing their own unique perspectives and experiences.

    The Origins of Outsider Art

    Outsider Art has its roots in the early 20th century, when artists like Edvard Munch and Egon Schiele began to challenge traditional notions of art. However, it wasn’t until the 1960s and 1970s that the term gained widespread recognition.

    It is a platform for the most innovative and daring works of outsider art, showcasing the diversity and complexity of the genre.

    The Rise of Outsider Art

    Outsider art has a long and storied history, dating back to the early 20th century. The term “outsider art” was first coined in the 1970s by art critic and historian, Harold Rosenberg. However, the concept of outsider art predates this term, with examples of self-taught artists and folk art dating back to the 19th century.

    Early Influences

  • The work of artists such as Henry Darger, who created a vast and intricate series of drawings and paintings, and James Castle, who crafted intricate sculptures from found materials, have been cited as early influences on the outsider art movement. The folk art traditions of Europe and North America, such as the naive art of the Amish and the wood carvings of the Appalachian region, have also been cited as early influences on the genre.

    Edlin has stated that he wanted to create a more curated and refined experience for the Outsider Art community.

    The Evolution of the Outsider Art Fair

    The Outsider Art Fair has undergone significant transformations since its inception in the 1990s.

    He sought to elevate the art world’s perception of outsider art by showcasing its unique qualities and the artists’ stories.

    Establishing Higher Standards

    Edlin’s efforts to elevate the outsider art world were met with skepticism at first. Many believed that the art world was too commercialized and that outsider art was nothing more than a novelty. However, Edlin remained committed to his vision, and his dedication paid off in the long run. He worked closely with artists to understand their creative processes and the inspirations behind their work. He curated exhibitions that highlighted the technical skill and craftsmanship of outsider artists. He also sought to challenge the traditional notions of art and its value.

    The Power of Storytelling

    Edlin recognized the importance of storytelling in the context of outsider art. He believed that the stories behind the art could elevate its value and significance.

    However, Edlin’s efforts to bridge the gap between the two communities ultimately paid off.

    Creating a New Dialogue

    Edlin’s strategy involved fostering a sense of community and shared values between Art Brut and contemporary art. He achieved this by:

  • Organizing exhibitions and events that brought together artists from both worlds
  • Creating a platform for artists to share their stories and experiences
  • Encouraging dialogue and collaboration between artists, curators, and collectors
  • Breaking Down Barriers

    Edlin’s approach also involved challenging the existing power structures within the art world. He:

  • Questioned the notion of what constitutes “high” and “low” art
  • Highlighted the importance of accessibility and inclusivity in the art world
  • Worked to dismantle the barriers that had previously excluded Art Brut artists from mainstream recognition
  • The Impact of Edlin’s Work

    Edlin’s efforts have had a lasting impact on the art world. His work has:

  • Helped to establish Art Brut as a legitimate and respected field within the art world
  • Provided a platform for artists to express themselves and share their unique perspectives
  • Challenged the status quo and pushed the boundaries of what is considered “art”
  • Conclusion

    Edlin’s work has been instrumental in creating a new dialogue between Art Brut and contemporary art. His efforts have helped to break down barriers and challenge the existing power structures within the art world.

    This exhibition, which ran from 2015 to 2017, was a groundbreaking collaboration between the Palazzo Reale in Milan and the Fondazione Arnolfini in Venice.

    The Origins of Outsider Art

    Outsider Art, also known as Art Brut, has its roots in the 19th century. The term was first coined by French psychiatrist and art historian Jean Dubuffet in 1945. Dubuffet was fascinated by the works of self-taught artists who created art outside of the traditional art world. He believed that these artists, often marginalized and overlooked, possessed a unique perspective and creativity that was worth exploring. Characteristics of Outsider Art: + Unconventional materials and techniques + Often created in isolation or without formal training + Frequently features raw, emotive, and expressive qualities + Challenges traditional notions of art and beauty

    The Exhibition: The Encyclopedic Palace

    The Encyclopedic Palace was a monumental exhibition that brought together over 100 works by 30 artists from around the world. The exhibition was curated by Fondazione Arnolfini in collaboration with the Palazzo Reale in Milan.

    The Rise of Outsider Art in the Art World

    In recent years, Outsider Art has gained significant attention and recognition in the art world. This phenomenon has been driven by a growing interest in the works of self-taught artists, often from marginalized communities. The rise of Outsider Art has been accompanied by a shift in the way we think about art, challenging traditional notions of creativity, authorship, and the role of the artist.

    The Definition of Outsider Art

    So, what exactly is Outsider Art? The term was first coined in the 1970s by art critic and historian, William Rubin.

    The Outsider Art Fair, which took place in 2019, brought together artists from around the world, each with their own unique style and story to tell.

    The Origins of Outsider Art

    Outsider Art, also known as Art Brut, has its roots in the 19th century. The term “Outsider” was first used by art critic and historian Roger Cardinal in 1972 to describe the works of artists who were not formally trained in art. These artists, often marginalized and overlooked by the mainstream art world, created works that were raw, unpolished, and often unconventional. Characteristics of Outsider Art: + Raw and unpolished + Unconventional and experimental + Often created by marginalized individuals + Can be seen as a form of self-expression and rebellion

    The Outsider Art Fair

    The Outsider Art Fair, which took place in 2019, brought together artists from around the world, each with their own unique style and story to tell. The fair showcased a diverse range of artworks, from paintings and sculptures to prints and installations.

    The Community Behind the Artists

    Edlin’s statement highlights the crucial role that a community plays in shaping the value of art. In the case of the artists mentioned, a dedicated group of collectors, curators, and art enthusiasts has been instrumental in recognizing their talent and providing them with the necessary support to flourish.

    He also mentions that the art world is becoming increasingly aware of the importance of Outsider Art, with more galleries and museums starting to take notice.

    The Rise of Outsider Art

    Outsider Art, also known as Art Brut, has been gaining momentum in recent years. The art world is slowly recognizing the value and significance of this unique and often misunderstood genre. Edlin’s involvement in the fair is a testament to the growing interest in Outsider Art.

    The Fair and Outsider Art

    The fair features a diverse range of Outsider Art pieces, showcasing the unique styles and techniques of various artists. *Some notable artists include:**

  • Jean Dubuffet
  • Jean-Michel Basquiat
  • and
  • H.R. Giger
  • These artists, along with many others, have contributed to the evolution of Outsider Art. Their work is characterized by its raw, unbridled energy and emotional intensity.

    The Importance of Outsider Art

    Outsider Art is not just a niche interest; it has the potential to challenge our understanding of art and its role in society.

    The Global Outsider Art Fair: A Celebration of Unconventional Art

    The Outsider Art Fair, now in its 25th year, has become a premier platform for showcasing unconventional art from around the world.

    The fair will also showcase a selection of works by deceased outsider artists, including the renowned artist, Jean-Michel Basquiat.

    The Outsider Art Fair: A Celebration of Unconventional Creativity

    The Outsider Art Fair is an annual event that brings together artists from diverse backgrounds and styles, providing a platform for their work to be showcased and appreciated. This year’s fair promises to be an exciting celebration of unconventional creativity, with sixty-six exhibitors from forty cities across nine countries.

    Exhibitors from Around the World

    The fair will feature a diverse range of exhibitors, including living artists such as Noviadi Angkasapura, JJ Cromer, Shuvinai Ashoona, Julian Martin, and Margot. These artists will be showcasing their unique works, which often blend traditional and modern techniques to create something truly innovative. Noviadi Angkasapura, a Malaysian artist, will be showcasing his vibrant and colorful paintings, which often feature fantastical creatures and landscapes. JJ Cromer, an American artist, will be exhibiting his intricate and detailed drawings, which often explore themes of nature and the human condition. Shuvinai Ashoona, a Canadian Inuit artist, will be showcasing her powerful and emotive sculptures, which often explore themes of identity and community. Julian Martin, a British artist, will be exhibiting his abstract and expressive paintings, which often blend traditional and modern techniques. Margot, a French artist, will be showcasing her delicate and intricate drawings, which often explore themes of love and relationships.

    A Tribute to Deceased Artists

    In addition to showcasing the work of living artists, the fair will also pay tribute to deceased artists who have made significant contributions to the world of outsider art.

    The collection, which includes works by artists such as Jean-Michel Basquiat, Keith Haring, and Jean-Michel Basquiat, is one of the most renowned in the Outsider Art world.

    The Audrey Heckler Collection: A Treasure Trove of Outsider Art

    The Audrey Heckler Collection is a treasure trove of Outsider Art, boasting an impressive array of works by some of the most celebrated artists of the genre.

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